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Suppose a Sentence
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Suppose a Sentence is a critical and personal reflection on the art of the sentence in literature, widely conceived. It is both an experiment in the attentive form of the essay - asking what happens, and where one might wander, when as readers and writers we pay minute attention to the language before us - and a polemic for certain kinds of experiment in prose. In a series of essays, each taking a single sentence as its starting point, the book explores style, voice and context. But it also use…
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- Author: Brian Dillon
- Publisher: Faber And Faber Ltd.
- Year: 2022
- Pages: 192
- ISBN-10: 1913097013
- ISBN-13: 9781913097011
- Format: 12.5 x 19.4 x 2 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Suppose a Sentence is a critical and personal reflection on the art of the sentence in literature, widely conceived. It is both an experiment in the attentive form of the essay - asking what happens, and where one might wander, when as readers and writers we pay minute attention to the language before us - and a polemic for certain kinds of experiment in prose. In a series of essays, each taking a single sentence as its starting point, the book explores style, voice and context. But it also uses its subjects - from George Eliot to Joan Didion, John Donne to Annie Dillard - to ask what the sentence is today and what it might become next.
The promotion ends in 
- Author: Brian Dillon
- Publisher: Faber And Faber Ltd.
- Year: 2022
- Pages: 192
- ISBN-10: 1913097013
- ISBN-13: 9781913097011
- Format: 12.5 x 19.4 x 2 cm, minkšti viršeliai
- Language: English English
Suppose a Sentence is a critical and personal reflection on the art of the sentence in literature, widely conceived. It is both an experiment in the attentive form of the essay - asking what happens, and where one might wander, when as readers and writers we pay minute attention to the language before us - and a polemic for certain kinds of experiment in prose. In a series of essays, each taking a single sentence as its starting point, the book explores style, voice and context. But it also uses its subjects - from George Eliot to Joan Didion, John Donne to Annie Dillard - to ask what the sentence is today and what it might become next.
Reviews